Short story: Running with Spiders

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Every day is a weary lie. I can barely force my face into a convincing smile, but no one notices, too caught up in their own worlds. I wear shoes, but they’re a lie, my feet don’t want to wear shoes, they don’t want to be confined to feebly gripping, clumsy slabs with laces; they want to feel the world and cling to it, never falling. I wear the suit, but my neck doesn’t like that choke-chain tie around it, my legs don’t like to be bound in fabric. I may wear cashmere, but it constricts like cheap nylon, because it’s wrong.

I get to work at nine o’clock sharp, an unconvincing copy of an enthusiastic smile clinging to my face, because this isn’t where I’m supposed to be. I’m not a creature of bright strip lights and open floor plans, instead I’m of the night, of the dark and dank and dusty. I’m at work now, because I haven’t the energy in the day to argue with convention, all my will is used up at night. At night, where truth rules and where I scutter and spin. So I sit down at my computer, fighting the urge to groan, my body is so heavy, so affected by gravity. I don’t understand how people can live like this without the glorious escape.

Craig in the next cubicle starts up a conversation, he always does, and I always react with empty platitudes and polite nodding. Slurping on his coffee, he says,

“Can’t go to the match this weekend, the wife’s said.”

“Oh dear,” I say with the appropriate tone I don’t feel.

“My brother in law died at the weekend, she says we’ve got to sort out his things.”

“I’m sorry,” I say.

“Yeah, and an Arsenal home game it was too.”

“I meant about your brother-in-law dying.”

“Nah, I hated him anyway.”

My work is dull and pointless, the moment I leave the office I forget what it is I do all day. Something to do with numbers, and catalogues and the ever-whining public. All that matters is that eventually it’s over and the moment of freedom is close, true freedom from this dragging carcass. I ride the train, staring at my phone like everybody else, but all I’m looking at is a timer, counting down the minutes, the seconds.

Sat at my kitchen table, my alarm sounds, but I don’t need a clock to tell me, I can feel the change. The same change that has taken over my senses for five years now.  Every night, every night a revelation and a joy. The hairs first, thick and black, poking out from around my eyes and from my arms. And those arms! Becoming longer, thinner, sleeker. I stretch their beautiful form, feel a breeze tickle at the hairs, so slight that I didn’t notice it before, a delicate caress. I’m shrinking, becoming a size that fits my new senses, as those close-fitting walls get far away and irrelevant. The six new eyes pop from the front of my head one by one, each one telling me a new story of the world, but that’s only the start. Vibration sings its song to me, everything I touch is a tapestry of understanding. I am humming, I am alive with the song of the world around me. And then, as my new body solidifies and strengthens, I am ready to run. And I run and leap. Within moments, I’m on top of the sink and leaping down the drain. Faster and faster, encumbered by nothing. Running along pipes at such speed, the power! The freedom I have! I swoop and glide, gravity doesn’t touch me. As I scutter the depths of the world feeling no fear, my kith and kin run with me.

I run with the spiders, for I too am such a beast.

Secret Books of the Freemasons

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I’m not sure I’m supposed to post these, so if I vanish, then please send for help.

My dad is something of a hoarder of oddness and when I visited him last week he gave me these strange pamphlets that he found in a second hand bookshop in Birmingham, sixty-five years ago.

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Societas Rosicruciana in Anglia

 

They are a series of booklets from the Rosicrucian Society of Freemasons, dated 1918. They outline the rules for joining and how to carry out rituals. So far I’ve found no mention of sacrificing children to the Gods or starting the Apocalypse, although I haven’t finished reading them yet. Mostly they emphasise the need to be a good person and to acquire wisdom. They reference a few different religions (Jewish, Catholic and Christian) but there’s also numerology in there (11 is an evil number, ‘an omen of defeat or death’; 10 is the ‘most sublime as it contains the monad…and Zero a symbol of chaos’) and references to the importance of science.